Devilish imagery here, it's great, seriously. Like the postures of both characters on screen are semi-natural looking they're just missing some force or 'presence' I like to call it. The guy on the right has it pretty perfect - the head rolling back, shocked neck posture. Whereas our man on the left is a bit similar to just a positioned mannequin in the right place. You see the intent in his face, but where's the braced posture for the firearm. Other than that, the lighting is great too - I especially like the jacket getting some white light and muzzle flash in the victims fingers. Coolio
This is a big improvement on some previous builds you've shown. There's a great consideration of lighting as well on the back / sides of the soldiers which gives a great touch. The only thing 'letting down' the image is maybe a visible source of the light. I understand it's from behind them on the APC (probably) but would it NOT be cool if it gave off a volumetric / slightly foggy effect? Would make the armor highlights stick out and the sniper lazer more dominant too. Some food for thought
I love this.
I like the red, I think the filter could actually work well in like a first person pov kinda image but otherwise for a scene build like this (in wide angle like before), it takes away from the small details you had demonstrated before. When it's a vision jarring effect, it's always good to only include it enough so that you can still see everything going on in the image. An opinion at least bb
Ya got the model, ya got the desk, ya got the lights: but where's the flavor? What's this character about? Are they seriously organised? Are they a total train wreck? Are they super stern and serious? Ya gotta find ways to show these details with what little scene you're including with the build. With some decorations on the desk, you could answer these questions and offer something more interesting for people looking on. Nice work
i lost touch with sfm :stuck_out_tongue:ensive:
Reminds of a zone in Dark Souls 2 just much more pink than I remember it being, really though: The layering work and the choice of colors give an amazing depth and range of how far away objects are. Which the perspective and consideration of scale shows also. I think perhaps the highlight colours could've been a little darker as to not nearly match the whole background, and the moon should've been more flat color wise (as everything else is kind of boldly dark or bright, and it has a whole gradient). Great work though man
Mmmm, glowy eyes, blurry/soft edges, great fixture and positioning. You expecting me to say bad things here? all I can think of is how cool it would be to see them in a scene - otherwise it's great modelling. Great work as always chum
have this too, freshly baked out of the oven
so uhh I don't know why but suddenly my shadows are being gay, I've checked my console commands, here they are;
r_projectedtexture_filter 0.2
r_flashlightdepthres 4096
mat_slopescaledepthbias_shadowmap 2
mat_depthbias_shadowmap 0.00001
All lamps are using Heavy Light, rendering the poster will obviously show up with these artifacts and with AA on, those with artifacts will be kind of "blurred" out
help?
